Springe zum Inhalt

A Matter Of Historicity

Material Practices in Audiovisual Art

  • home
  • work book
  • Workshop #1
    • Archival Romances: Found, Compressed, and Loved Again – Laura Marks
    • Dead Technologies and the Politics of Temporality – Andy Birtwistle
    • The Museum of Trance – Henrike Naumann
  • Workshop #2
    • Material Encounters: Surface Tension, Screen Space – Giuliana Bruno
    • Unreproducible: Cinema as Event – Erika Balsom
    • Aggregate States of the Moving Image – Volker Pantenburg
    • The Materiality of Memory in Contemporary Video Installations – Ursula Frohne
    • Vinyl -terror & -horror, Performance & discussion
  • Workshop #3
    • Authenticity and Terror – David Joselit
    • Within the Leaves a Sight of the Forest, Episode 4 – Tintin Wulia
    • Performing Cultural Encounters: Historicity and Practice of Slide Collections in Contemporary Art – Ingeborg Reichle
    • Oriental Riff/t: After Chinoiserie – Erika Tan
    • N. 252 Hockender Pavian, Diorit; N. 253 Falke … – Hannes Böck
    • Sound Sediments and MusickingThings of Color – Johannes Ismaiel-Wendt
    • Entanglement – Non-linear Challenges to Transitional Realities – Kathrin Thiele
  • Material Sounds
  • Das gute Alte und das schlechte Neue
  • team
    • Kristina Pia Hofer
    • Eva Kernbauer
    • Marietta Kesting
    • Astrid Poyer
    • Hannes Böck
  • about
  • contact

Unzeitgemäße Kunst

24. Oktober 201731. Dezember 2024

Ausstellungsgespräch Pilger Mills
Eva Kernbauer

24. Oktober 2017
Kunstverein Nürnberg

Permalink.

Beitrags-Navigation

 Historizität in Bewegung
Dirty Sound: The Camp Materialism of „Blood Orgy of the Leather Girls“ 
Universität für angewandte Kunst Wien
FWF Der Wissenschaftsfonds.
Stolz präsentiert von WordPress | Theme: sela von WordPress.com.